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March 16, 2008

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It's always wise to be careful what you wish for.

Does anyone remember this movie?

KRIS KRISTOFFERSON AND JANE FONDA IN 'ROLLOVER'
By JANET MASLIN
Published: December 11, 1981

IS the Arab Euro-dollar really a good subject for movie banter? Somehow, somebody thought so. In ''Rollover,'' Kris Kristofferson and Jane Fonda play a banker and a board chairman who confer incessantly about financial matters at the multi-multi-megabuck level. The dramatic possibilities of the material are weak at best, and its satirical underpinnings are nowhere to be found.

...

''Rollover,'' which was directed by Alan Pakula and opens today at the Criterion Center and other theaters, works neither as love story nor as satire, and it isn't even the thriller it sets out to be. It begins with a murder, which, exemplifying the generally meandering quality of the movie, isn't mentioned again for about an hour. The killing does make a widow of Miss Fonda's Lee Winters, however. A movie queen turned mogul's wife, she is now made ruler of a huge corporation, thanks to some advice from the dashing financier Hub Smith (Mr. Kristofferson), who is described by another character as ''restless, ambitious and a sucker for a star play.'' Once Lee ascends to power, she puts in many late-night hours at her deserted office, wearing evening clothes and listening to tape recordings, in a manner reminiscent of Mr. Pakula's own ''Klute,'' a much better movie that had infinitely more sense, energy and style.

The plot here revolves around a joint venture, in which the failing bank Hub Smith has been summoned to save decides to back Lee Winters's company in a deal so enormous that the interest alone will keep the bank afloat. Along the way, both Hub and Lee independently grow curious about a mysterious bank account in which large sums of money are being hidden. This account is conveniently mentioned by number at every opportunity, so that the spying can be accomplished with ridiculous ease. Lee sees the number on some of Hub's papers, and sneaks a look at them. Hub takes the number to an adversary's computer, and fishes for information, which he locates in a trice.

At last, Hub confronts this adversary (played by Hume Cronyn, with far more dash and authority than anyone else in the movie), and a talk about Arab Euro-dollars ensues. The worldwide flow of money is envisioned as a force of nature, and there is the dark threat that if this flow is interrupted, ''in six months you'll see grass right over Rodeo Drive!''

...

If the worldwide monetary situation is indeed as bad as the screenplay makes it out to be, movies this extravagantly silly only make it worse.

Not only that, but a reminder of the wisdom of Oscar Wilde's advice. This current situation might well lead to earnest young ladies dropping their cucumber sandwiches on the ground in front of the earnest young gentlemen, along with their currencies...

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