Z: **Inactive:** Brad DeLong--Economics Only

Ezra Klein on Video, and Health Care too

He thinks things are looking up for that vast fifty-effective-word-a-minute wasteland of an information channel that is modern TV:

Ezra Klein: Logic, Media, Incentives, And Me: I sort of enjoy the double challenge of being questioned on television: You both need to make your point, but also frame your answer in such a way that it retroactively makes the question sensical. That's the real trick.

Increasingly, though, the incentives are changing. Assume that the incentive for going on television is to raise your profile (which is about 75 percent correct). If I went on television five years ago, a large part of my incentive would be to make the host like me. After all, these appearances pass in an instant, and most of you would never see the program. So if I want to reach the maximum number of people with my arguments and do the most to increase my visibility, I want to keep coming back.

Now, however, with YouTube and GoogleVideo and online archiving, a single, contentious appearance can be seen on the internet a million times. Everyone, after all, has seen Stewart berate Tucker Carlson on Crossfire, but very few of us had actually tuned in that day. Similarly, my segment on the Kudlow show, replayed on the internet a few thousand times, did much more for my reputation among the audience relevant to my success than have my more friendly, but bland, appearances on other shows.

Making sense often requires you to be disruptive, and not long ago, being disruptive was probably a bad idea. Now it's a good one. And since the channels are wising up and putting their videos online with advertising before them, they also want widespread online dissemination of appearances, and so their incentives are increasingly aligned with mine. Does this mean more folks will be making sense? Not necessarily. But it means their might be more room for sense-making.

Here's the video:

Ezra Klein on health care

Second Gilded Age Cultural Studies Watch, or O Michael Berube! Thou Shouldst Be Blogging in This Hour!

Second Gilded Age Cultural Studies Watch, or O Michael Berube! Thou Shouldst Be Blogging in This Hour!

In a Super Bowl commercial--a commercial that I thought was astonishing for a company that is in the process of a slow-motion layoff of half of its hourly workers--GM broadcast the Robot's Loser's Progress yesterday:

GM Reveals Its Obsession in Super Bowl XLI Ad - AutoMotoPortal.com: Everyone at General Motors obsesses about quality these days - even the robots in the assembly plants. During the CBS telecast of Super Bowl XLI on Feb. 4, GM will launch the next phase of a corporate campaign that began last fall with the introduction of the GM 100,000 Mile Warranty. A new 60-second TV spot, called "Robot," will tell consumers about GM's continuing focus on quality. Created with GM by Deutsch LA, the spot features a small robot that is part of a GM assembly line. Unfortunately, the robot makes a tiny mistake: it drops a screw. The line shuts down and the employees in the plant banish the little robot from the premises. The robot's anguish over its mistake helps to remind consumers that every 2007 GM car and light-duty truck is now covered by a 100,000 mile/five-year powertrain limited warranty, and illustrates GM's obsession about quality...

What AutoMotoPortal.com doesn't tell you is the robot's post-firing Loser's Progress: the robot works a succession of lower-paid jobs, gets increasingly depressed, and at the end of the commercial commits suicide by throwing itself off a bridge--before waking up and realizing that it was all a bad dream.

In another Super Bowl commercial, Kevin Federline dreams about being a rap star while in "reality" he works the fryolater at a fast-food restaurant:

BBC NEWS | Entertainment | Federline advert causes offence: A US advert starring Britney Spears' estranged husband, Kevin Federline, has angered a fast food trade group. The 28-year-old pokes fun at his stalled music career as he daydreams of hitting the big time while serving French fries at a takeaway. The National Restaurant Association says the advert suggests restaurant work is "demeaning and unpleasant". But advertiser Nationwide Mutual Insurance insists Federline is the only one being mocked.

The commercial will be shown on 4 February during the Super Bowl - US TV's highest-rated broadcast, commanding the highest fees for advertising. Rapper Federline, also known as K-Fed, launched his music career amid a blaze of publicity but only sold 6,500 copies of his debut album, Playing with Fire, in the first week of its release...

I am not imagining this, am I? The underlying background assumption of these commercials is contempt for the men and women who serve the fast food and work the loading docks and deliver the pizzas and staff the call centers of America, isn't it? The exectives of GM and Nationwide Insurance and their creative ad professionals think that denying the dignity of labor is the road to selling annuities and SUVs to the fiftysomethings with spare cash watching the Super Bowl, isn't it? This is a Sign of the Apocalypse for our current Second Gilded Age, isn't it? Or am I overreacting?

This is out-of-my-league. We need a Trained Professional Cultural... Studies Person... A Trained Professional Cultural Student... A Trained Professional Cultural Studier... We need Michael Berube or Bitch Ph.D. or Bad Subjects or The Valve here, as soon as possible.

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Robot:

Federline: http://www.nationwide.com/nw/featured-ads/index.htm?WT.srch=1&WT.mc_id=bgs00023